Categories
Game Design Narrative Design

Contextual Specification.

When it comes to the creation of the common ground in which play occurs, the boundaries themselves can either be embedded or emergent. Embedded boundaries are those defined prior to, and separate from, the act of play itself. They are the rules of the game and the narrative overlaid on those rules. These elements define what […]

Categories
Game Design Narrative Design

Narrative Context.

On several occasions I’ve recounted events that took place while I was playing a game. I’ve described in detail the actions I took and the consequences of those actions, as well as explaining my motivations and emotional reaction to such events: Jumping out I threw a Molotov at the pursuing vehicle. The Molotov hit the […]

Categories
Game Design

Blowing in the wind…

Warning: The following contains spoilers for Flower. “It’s like running barefoot through a meadow!” That was my initial impression of Flower formed after a minute of play. It feels as true now as it did then. Flower is an instantly gratifying experience based on very simply concepts, the pleasure of flight and the sensation of bringing […]

Categories
Game Design Narrative Design

A Human Reaction.

Warning: The following contains spoilers for the later stages of Far Cry 2. It could be argued that the power of any work lies in its ability to make us question ourselves and our own beliefs.  This is something games are already capable of, though maybe those responsible don’t even realise it. In a comment to […]

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Game Design

Exploring Meaning.

In order to consider and analyse the explorative form of games it is necessary to present the game mechanics, the logical game space, in some visual manner. The interconnected nature of objects and actions, nouns and verbs, within a game can make any attempt at a complete representation of the entire possibility space prohibitively complex; therefore some […]

Categories
Game Design

Mechanical Exploration.

Warning: This post contains mechanical spoilers for Gravity Bone. If you don’t believe that’s possible and have yet to play the game I assume no responsibility… In the comments to my previous article on the difference between literature, film and games, Chade questioned my use of the term explorative to describe games. He made two […]

Categories
Films Game Design Literature

Communicating Intent.

My previous post was vague and though some of that was intended to promote comment and discussion, I feel I may have been unintentionally cryptic in both the post itself and my comments. It was not my aim to imply any order of worth to each of the forms of media mentioned, and I also […]

Categories
Films Game Design Literature

The difference.

Literature is descriptive. Films are representative. Games are explorative. That’s a fundamental difference. Expansion and clarification can be found here.

Categories
Game Design

A matter of appearance.

When Fable was released a big deal was made of the technology (that Lionhead had previously created for Black & White) that caused your protagonist to change their appearance based on your actions. “Evil” actions cause your character to develop dark skin, glowing red eyes and eventually horns. Whereas “Good” actions lead to a glowing […]

Categories
Game Design Narrative Design

What a Waste.

There comes a moment in Fallout 3 where, standing staring around at the skeletal trees and blasted earth, you realise all the mounds of rock you’ve been climbing over were once buildings; offices, apartment blocks maybe even shops and schools. In that moment you can see in your mind what that alternate history version of Washington D.C. might […]