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Design By Example Game Design Game Mechanics

Design By Example: Vertical Movement with Dishonored’s Blink.

In Dishonored, the first power granted you by the Outsider – the only one which you have no choice over – is the short distance teleport, Blink. What Blink offers is more than simply the ability to instantaneously move forward. If that was the extent of its power it would still be useful but it wouldn’t […]

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Game Culture Narrative Design Personal Favorites

I am Vincent Brooks.

Warning: The following contains spoilers for the ending of Catherine. Catherine, Atlus’s 2011\12 visual novel puzzle game amalgamation is a game I’ve seen cited as “one of the most sexist” games made and another example of “the weird Japanese and their games about sex”. I don’t have much interest getting into the racism and ethnocentrism of that […]

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Game Design Narrative Design

Discovering my Destiny.

Guest Post, written by: Caitlin Moore. I don’t play shooters. We had GoldenEye when I was a kid but I only ever played against my brother and I’ve mostly avoided them since. I was initially drawn to Destiny despite this for a couple reasons. Partly it’s a function of dating a guy who is writing […]

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Level Design

Groping The Map: Book 1 – SAMPLE.

In order to promote my work on Groping The Map: Book 1, I have decided to release a .pdf sample of the first nine pages of the chapter on Nova Prospekt from Half-Life 2. Consider this a “vertical-slice” of the book, as you can see I have made some changes from the traditional format that […]

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Level Design Site Specific

The future of Groping The Map…

Since I started them in 2010 my Groping The Map articles have  proven to be some of the most popular work I’ve written. In those three years however I have only been able to complete my analysis of three different levels, this is both a significant reduction from my original goal and a personally disappointment. With […]

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Game Design Narrative Design

The role of her life.

In his 2011 GDC presentation, The Identity Bubble – A Design Approach To Character and Story Creation, designer Matthias Worch builds on the work of Gary Fine (From his book Shared Fantasy: Role Playing Games as Social Worlds), using the conceptual model of frames to examine how players have multiple, often conflicting, internal voices. During play they are at […]

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Groping The Map Level Design

Groping The Map: Life Of The Party, Part 9.

 “Greetings, Garrett! Thou art expected, though not precisely… welcome.” Conclusion: Coming two thirds of the way through The Metal Age the infiltration of Angelwatch in Life Of The Party would make a fitting location for the finale. Unlike the actual final level the Mechanist tower of Angelwatch was foreshadowed as far back as the second level, […]

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Groping The Map Level Design

Groping The Map: Life Of The Party, Part 8.

 “These are strange times indeed when the builder’s chosen must cater to the folly of the unworthy.” Annotated Walkthrough, 7: After avoiding any wandering guests on the stairs the sixth floor landing offers some shadows in which to wait before you enter the ballroom. The door is unlocked and the light illuminating the area immediately […]

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Game Design Game Mechanics

First Contact: Binary Domain.

A number of people whose opinions I respect, assure me that Binary Domain is a game worth playing. Specifically in regard to its combat mechanics, narrative, and themes. While playing the first hour I took some notes. The reason the notes only cover the start of the game is that I have since restarted twice […]

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Game Design Level Design Narrative Design

The polite horror game.

Dead Space: Extraction is a game that knows what it wants to be. Within a series that wears its horror film influences on its sleeve Extraction is the most direct translation of those influences to the video game form. As an on-rails shooter the cinematography and pacing are an obvious point of comparison sharing as they do […]