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Game Culture Game Design

Sequels: Originality and Entitlement.

The news that StarCraft II is to to be released as the first in a trilogy has caused some controversy. The variety and tone of comments on the matter has swayed from the conciliatory to the openly hostile, to the abusive. I have quoted an example of two such comments, culled from popular game industry news […]

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Game Mechanics

Verb Development.

The ability to play a role is one of the manifold reasons people choose to spent time with games over other forms of entertainment. The ability to assume a new identity, to make choices as a different character, to manage the development of that character, is a vital part of what makes narrative games pleasurable and meaningful. So why […]

Categories
Game Design Game Mechanics

Redundant?

For a choice to be meaningful, for the making of it to be worth consideration at all, requires that it be an informed one. We need to have an idea of the consequences of any choice, there needs to be a discernible difference between taking one action over another. An uninformed choice isn’t really a choice at all. When random […]

Categories
Game Design Narrative Design

Gameplay Contract.

The request of The Omar, the cyborg black marketeers of Deus Ex: Invisible War, is made when you throw something at them, repeatedly. It’s a little strange to hear this retort each and every time you throw a lamp, or cup at their heads but if you are constantly bombarding them with junk and getting the same […]

Categories
Game Mechanics

Motivation.

It’s common for games to provide an array of tools by which you can alter your own character or the environment to better suit a particular play style, but without some degree of active encouragement it’s possibly for a lot of these tools will go unused. While playing System Shock 2 you are required to manage you resources, it’s necessary […]