While playing the first hour I took some notes. The reason the notes only cover the start of the game is that I have since restarted twice in an attempt to understand why my reaction, as shown by the notes, is so predominantly negative. I have yet been unable to reconcile my experiences with the praise lauded upon the game. It is not simply a case of not liking a competent game as much as others, this has occurred before and will again, rather I am concerned because I think Binary Domain is a genuinely badly designed game, one that makes mistakes in interface and encounter design I had thought long solved.
So what follows are my notes, as taken while playing, with some additional clarifications, to help see if I can make sense of why it provoked such a negative reaction. I have changed the order in which I took them as certain points are better explained in light of others.
I’ll start with what was actually one of the first notes I took.
Actually about as funny as it thinks it is.
It’s rare to find a game that’s genuinely comedic, and all too often action games swing the other way becoming overly self-serious, Binary Domain manages to find a tone that feels much closer to something like Beverly Hills Cop than I was expecting. It’s a brash action game and knows it, the script has yet to try to be anything else.
Why is A vault over cover but B climb? (Xbox 360)
This confounded me when I first played and I still don’t have a handle on it. The B button is nominally the “Interact” button, except when it isn’t. The A button will enable you to take cover and then vault over or dart around that cover, but B is required to climb up onto something, except when that something is a ladder in which case the A button is required. Operating a device in the world requires the B button however if that device is a control panel for a crane you cannot exit the crane interface by pressing B you instead have to press A.
Why give the character a voice if he’s not going to vocally respond? Conflict with voice input probably.
This seemed confusing at first until I remembered the game has an option to response to spoken voice commands. For that reason I can understand not having the character voice those comments as that would be redundant and potentially confusing. For players who are not using voice commands it’s jarring having the protagonist speak freely only up to the point at which you are given control of what he says. I can see this becoming a non-issue very quickly.
Off putting lag\acceleration on movement controls. May need to lower sensitivity.
This is probably my biggest complain: I cannot hit anything consistently. I am either wildly overcompensating or sluggishly dragging the cross-hair into position depending on the sensitivity setting. I’ve been using dual analog controls since the era of Halo: Combat Evolved but playing Binary Domain I feel like I’ve never touched a controller before. This is the main reason I restarted the game, I had hoped that more time with it would help me grasp the nuances of the controls, unfortunately that has yet to happen.
All the weapons so far sound incredible similar and you need to fire them a lot, soundscape is muddled cacophony.
A minor complaint initially but when combined with the next it makes the soundscape of Binary Domain a variation on a small number of weapon and impact sound effects, all of them similar and after an extended combat encounter I wanted to rest my ears.
You’d think they’d have chosen ammunition that does some actual damage against robots.
I appreciate that it is the start of the game, but every enemy I have encountered takes several seconds of sustained fire to destroy. It was pointed out to me that my approach should be to attempt to target vital parts of the enemies and so disable them, or turn them against their own. With the controls the best I am usually able to do is position the crosshair on the center of the enemy’s body, the degree of fidelity I would need to perform head-shots consistently is one I am unable to achieve.
Very aggressive enemies for a game with such a limited range of melee, or other close combat, options. Enemies will close and flank you with little you can do to stop them. Repositioning requires you to exit cover, so you expose yourself to those enemies ahead of you.
Enemies have a tendency to close range rapidly and either attack directly or move behind you. The former is frustrating as there are few options to deal with enemies in close range, the latter is almost always lethal as repositioning in combat to deal with enemies attempting to flank you will disengage you from cover therefore opening you up to attack from the front.
The focus button rotates the player to face the target not just the camera.
Like Gears of War there is a button to focus the camera on an important event or location. In Binary Domain it does not just turn the camera, it turns the player as well. This has led to me getting killed on at least two occasions.
Cover is almost exclusively perpendicular to the line of advancement you can’t flank enemies while remaining in cover. Nor can you move move between cover as fluidly as other cover shooters, it’s a first generation cover shooter closer to Mass Effect 2.
The layout of the levels so far have been unidirectional, with the AI advancing down a line directly opposite your direction of movement; except when airborne enemies spawned in behind you, but that is an entirely different complain. Cover is predominantly perpendicular to that line of advancement, allowing you to take cover from direct incoming fire. There has rarely been cover positioned parallel or at an angle to the direction of movement. Such cover would allow you to reposition to flank approaching enemies or deal with those enemies that have run past you. A good example of the type of space that I’ve yet to see in Binary Domain can be found at the end of the first level of Gears Of War. Exiting the prison Marcus and Dom enter a patch of ground dotted with low walls positioned both perpendicular and parallel to their direction of movement, Locust are positioned throughout and the layout allows for multiple possible routes through the space while remaining in cover. You can position yourself opposite the Locust and engage them directly or you use the space tactically moving around to flank them.
Doesn’t feel as fluid and responsive as Gears of War, or in fact Deus Ex: Human Revolution.
This is tied to the previous comment regarding my difficulty aiming, but is more concerned with the basic movement either out of or between cover. In those rare instances where such angled or parallel cover does exist there are no options to shift position to it without leaving cover, you cannot move around corners while remaining in cover the way you can in Gears of War, or Deus Ex: Human Revolution. These factors make moving in any direction other than directly forward inadvisable, limiting your options to staying put and shooting everything as it approaches – hoping you can destroy them before they run past, and thus outflank you – or advancing directly towards the approaching enemy and engaging them at close range, the options for which are limited.
Not everything that looks like cover is.
Compounding my previous complains are objects or elements of level geometry that in another game could conceivably provide cover but in Binary Domain do not. This is particularly egregious on the roads approaching the Sea Wall and again on the far side. The road surface is frequently split and buckled, with some sections of road higher than others. While you can climb up these sections, you cannot take cover behind them, despite them being close, if not identical, in height to the low walls and blocks that do provide cover.
10 Days Earlier…
When this cutscene occurred I was disappointed it was not the opening of the game, it at least offers a stronger context for my actions than that provided initially and though the voice acting and script can be a little peculiar on the whole it was largely entertaining. The premise itself is one I have seen before though that doesn’t mean it is an uninteresting one. My fear is the given the nature of the “Hollow Children” either the player character, one of his squad, or the character he has come to Japan looking for will turn out to be one.
It is possible some of the specific control problems I have are because I have not understood the information the game has provided me, however if this is still the case on my third encounter with the opening sections of the game some of the fault must lie with the manner in which the gave conveys that information.
Some of the problems I have might change as I progress further in the game, something I fully intend to do exclusively because of the positive comments I have heard. If I was unaware of such comments I would have abandoned Binary Domain at some point during my second time through the opening sections; so far I see nothing that has made me want to continue, rather the game has been frustrating and overly punishing.