“Greetings, Garrett! Thou art expected, though not precisely… welcome.”
Coming two thirds of the way through The Metal Age the infiltration of Angelwatch in Life Of The Party would make a fitting location for the finale. Unlike the actual final level the Mechanist tower of Angelwatch was foreshadowed as far back as the second level, Shipping and Receiving, and for The Metal Age to conclude here would not have been inappropriate. This is not the end however and there are still great levels to come before the finale in Soulforge; that doesn’t stop Angelwatch from serving as a conclusion of sorts. The journey from the streets of Dayport to the Mechanist tower is symbolic of the change in the forces of antagonism from Sheriff Truart and his City Watch to Karras and his Mechanists. From this point the final five levels will see a greater focus on Mechanists and their supporters over the citizens of the City; Life Of The Party is the final time in The Metal Age that you will set foot in the City itself.
The story arc that started with Sheriff Truart’s clampdown on the “unlawful” is over, his death at the hands of Viktoria’s agents serving to bring to light the true danger facing the City. The threat once posed by Truart is nothing compared to what Karras has in mind. The shadow of the Mechnists’ plans falls across everything that has come before, yet the true extent of Karras’ machinations is only revealed once you reach Angelwatch.
With Viktoria’s slightly improved Vine Arrows to replace the Rope Arrows Garrett’s inventory is complete liberating the final third of The Metal Age to throw everything it can at him. Life Of The Party feels huge, the size of a level is not always an indicator of its overall quality yet here that scale is used expertly, a careful player can take a hour or more to reach Angelwatch where they will find there is nearly as much space within that single building as in the City streets surrounding it, and then they have to make their way back possibly while harassed by Mechanists.
This is Thief level design at it’s smartest, sprawling environments make for complex problems but by isolating each one within natural and consistent boundaries (household guards are responsible only for their building) it breaks the complex problem into manageable portions that can be dealt with individually. The logical separation of each building means this division of the level into pieces occurs almost invisibly. Form and function in perfect alignment. The discrete problems of the Thieves’ Highway can be dealt with on your own terms whereas inside Angelwatch you will need to be reactive, improvisational. Where the City is constructed from mismatched brick and wood illuminated by easily dowsed torches, Angelwatch is constructed from metal and stone, and lit predominately by electric lights. Wandering NPCs, blind corners and closed doors limit your ability to plan forcing you onto the back foot. A master thief when roaming the City Garrett is but a hunted insect inside Angelwatch.
Standing in the middle of Dayport one of the richest districts of the City, Angelwatch is an imposing statement of the Mechanists’ power and influence. It is also strangely devoid of purpose, six stories high yet with only a small chapel and office providing space of any clear utility Angelwatch is a façade. Too much of the building has been designed with a focus on presenting a particular image of the Mechanists rather than as a building with a function. Too many of the rooms appear designed for guests rather than the Mechanists themselves who have little use for carpeted floors or ballrooms. Compared to the Mechanist Seminary you will have visited earlier Angelwatch is an architectural billboard, a way of showing off the glory and power of the Mechanists while actually revealing very little.
If the level had begun on the rooftops within sight of the Mechanist tower it still would have felt like a complete experience, by extending out the surrounding areas of the Dayport district the impact of that first glimpse of Angelwatch is magnified. Though you will have infiltrated larger buildings over the course of The Metal Age those, like the First City Bank and Trust, were isolated locations divorced from the rest of the City. Dominating a portion of the City, towering over everything around it Angelwatch is large but in comparison to the buildings you will have passed through in order to get here it looks gargantuan.
Levels set in multiple locations, such as the Dayport sections of Life Of The Party can feel of a lower fidelity than those in set within a single specific place. The rooftops are rife with locked doors and inaccessible areas, while within Angelwatch every internal door can be opened, every room explored.
Life Of The Party show the disjointed view of the City as seen by a thief, moving through a few rooms of one building just to get into another, banks and castles and apartment buildings compressed together, rooftops repurposed as shortcuts, windows and skylights used as entrances and exits. None of these buildings are seen in their entirety there is just enough to provide a hint of its purpose. The mundanity of life within the City witnessed through the moving lens of the thief; the journey through Dayport is an impressionistic one, a brief patchwork of sights and sounds that leave the sense of having explored an entire city district. Then, climbing out of the window of one building onto the rooftop of another there it is, Angelwatch: complete, assertive, modern. Like an Art Deco portrait in the middle of a Impressionist landscape this new presence in the City is jarring and impossible not to react to; the Mechanists are here.
Life Of The Party is not the introduction to the Mechanist Order or it’s mysterious leader, it is instead a reframing of the Mechanists from shadowy conspirators operating at the fringes of society to direct antagonists. It could have been made differently, separated from the City the infiltration of Angelwatch would still have made for a strong level, without the Mechanist tower the rooftops of the Thieves’ Highway could easily provide the layout for a myriad other levels; much as the City streets played host to both Ambush! and Trace The Courier earlier in The Metal Age. It could have come at an earlier point, maybe replacing Eavesdropping and seeing Garrett sneak into Angelwatch to overheard Karras’ meeting with Truart in his office. By occurring when it does, in the way it does Life Of The Party achieves with space a statement that would have felt clichéd if put into words. The Mechanist are taking over the City and their ways are not the old ways, now they have arrived nothing will be quite the same again. Only when directly juxtaposed with “normal” City life do the extremes of the Mechanist doctrine become real. A grand edifice looming over the streets and rooftops of Dayport, Angelwatch is for all its imposing visage still strangely artificial, much like the religion of Mechanists it has been created in the image of one being, not the Master Builder who they profess to serve but Father Karras.
NOTE: A comparison of Life Of The Party to the earlier version The Uninvited Guest is forthcoming, though there is no set time frame for that yet.
- Life Of The Party is the work of Designer Emil Pagliarulo.
- Thief II: The Metal Age is the work of Looking Glass Studios (Now closed). It was published by Eidos Interactive, now a subsidiary of Square-Enix.
- Additional material on Thief: The Dark Project, Thief II: The Metal Age and Thief: Deadly Shadows was obtained from Thief: The Dark Wiki.